False Scent Read online

  Anelida was greatly taken aback and much exercised in her mind. Did this elderly soldier know Richard very intimately or did all Richard’s friends plunge on first acquaintance into analyses of each other’s inward lives for the benefit of perfect strangers? And did Warrender know about Husbandry in Heaven?

  Again she had the feeling of being closely watched.

  She said: ‘I hope he’ll give us a serious play one of these days and I shouldn’t have thought he’ll be really satisfied until he does.’

  ‘Ah!’ Warrender ejaculated as if she’d made a dynamic observation. ‘There you are! Jolly good! Keep him up to it. Will you?’

  ‘I!’ Anelida cried in a hurry. She was about to protest that she was in no position to keep Richard up to anything when it occurred to her surprisingly, that Warrender might consider any such disclaimer an affectation.

  ‘But does he need “keeping up”?’ she asked.

  ‘Oh, lord, yes!’ he said. ‘What with one thing and another. You must know all about that.’

  Anelida reminded herself she had only drunk half a dry Martini so she couldn’t possibly be under the influence of alcohol. Neither, she would have thought, was Colonel Warrender. Neither, apparently, was Miss Bellamy or Charles Templeton or Miss Kate Cavendish or Mr Bertie Saracen. Nor it would seem was Mr Timon Gantry, to whom, suddenly, she was being introduced by Richard.

  ‘Timmy,’ Richard was saying. ‘Here is Anelida Lee.’

  To Anelida it was like meeting a legend.

  ‘Good evening,’ the so-often mimicked voice was saying. ‘What is there for us to talk about? I know. You shall tell me precisely why you make that “throw-it-over-your-shoulder” gesture in your final speech and whether it is your own invention or a bit of producer’s whimsy.’

  ‘Is it wrong?’ Anelida demanded. She then executed the mime that is known in her profession as a double-take. Her throat went dry, her eyes started and she crammed the knuckle of her gloved hand between her separated teeth. ‘You haven’t seen me!’ she cried.

  ‘But I have. With Dicky Dakers.’

  ‘Oh, my God!’ whispered Anelida and this was not an expression she was in the habit of using.

  ‘Look out. You’ll spill your drink. Shall we remove a little from this barnyard cacophony? The conservatory seems at the moment to be unoccupied.’

  Anelida disposed of her drink by distractedly swallowing it. ‘Come along,’ Gantry said. He took her by the elbow and piloted her towards the conservatory. Richard, as if by sleight-of-hand, had disappeared. Octavius was lost to her.

  ‘Good evening, Bunny. Good evening, my dear Paul. Good evening, Tony,’ Gantry said with the omniscience of M. de Charlus. Celebrated faces responded to these greetings and drifted astern. They were in the conservatory and for the rest of her life the smell of freesias would carry Anelida back to it.

  ‘There!’ Gantry said, releasing her with a little pat. ‘Now then.’

  ‘Richard didn’t tell me. Nobody said you were in front.’

  ‘Nobody knew, dear. We came in during the first act and left before the curtain. I preferred it.’

  She remembered, dimly, that this kind of behaviour was part of his legend.

  ‘Why are you fussed?’ Gantry inquired. ‘Are you ashamed of your performance?’

  ‘No,’ Anelida said truthfully, and she added in a hurry, ‘I know it’s very bad in patches.’

  ‘How old are you?’

  ‘Nineteen.’

  ‘What else have you played?’

  ‘Only bits at the Bonaventure.’

  ‘No dra-mat-ic ac-ad-emy?’ he said, venomously spitting out the consonants. ‘No agonizing in devoted little groups? No depicting? No going to bed with Stanislavsky and rising with Method?’

  Anelida, who was getting her second wind, grinned at him.

  ‘I admire Stanislavsky,’ she said. ‘Intensely.’

  ‘Very well. Very well. Now, attend to me. I am going to tell you about your performance.’

  He did so at some length and in considerable detail. He was waspish, didactic, devastating and overwhelmingly right. For the most part she listened avidly and in silence, but presently she ventured to ask for elucidation. He answered, and seemed to be pleased.

  ‘Now,’ he said, ‘those are all the things that were amiss with your performance. You will have concluded that I wouldn’t have told you about them if I didn’t think you were an actress. Most of your mistakes were technical. You will correct them. In the meantime I have a suggestion to make. Just that. No promises. It’s in reference to a play that may never go into production. I believe you have already read it. You will do so again, if you please, and to that end you will come to the Unicorn at ten o’clock next Thursday morning. Hi! Monty!’

  Anelida was getting used to the dream-like situation in which she found herself. It had, in its own right, a kind of authenticity. When The Management, that bourne to which all unknown actresses aspired, appeared before her in the person of Montague Marchant, she was able to make a reasonable response. How pale was Mr Marchant, how matt his surface, how immense his aplomb! He talked of the spring weather, of the flowers in the conservatory and, through some imperceptible gradation, of the theatre. She was, he understood, an actress.

  ‘She’s playing Eliza Doolittle,’ Gantry remarked.

  ‘Of course. Nice notices,’ Marchant murmured and tidily smiled at her. She supposed he must have seen them.

  ‘I’ve been bullying her about the performance,’ Gantry continued.

  ‘What a bad man!’ Marchant said lightly. ‘Isn’t he?’

  ‘I suggest you take a look at it.’

  ‘Now, you see, Miss Lee, he’s trying to bully me.’

  ‘You mustn’t let him,’ Anelida said.

  ‘Oh, I’m well up to his tricks. Are you liking Eliza?’

  ‘Very much indeed. It’s a great stroke of luck for me to try my hand at her.’

  ‘How long is your season?’

  ‘Till Sunday. We change every three weeks.’

  ‘God, yes. Club policy.’

  ‘That’s it.’

  ‘I see no good reason,’ Gantry said, ‘for fiddling about with this conversation. You know the part I told you about in Dicky’s new play? She’s going to read it for me. In the meantime, Monty, my dear, you’re going to look at the piece and then pay a call on the Bonaventure.’ He suddenly displayed the cock-eyed charm for which he was famous. ‘No promises made, no bones broken. Just a certain amount of very kind trouble taken because you know I wouldn’t ask it idly. Come, Monty: do say you will.’

  ‘I seem,’ Marchant said, ‘to be cornered,’ and it was impossible to tell whether he really minded.

  Anelida said: ‘It’s asking altogether too much – please don’t be cornered.’

  ‘I shall tell you quite brutally if I think you’ve wasted my time.’

  ‘Yes, of course.’

  ‘Ah, Dicky!’ Marchant said. ‘May I inquire if you’re a party to this conspiracy?’

  Richard was there again, beside her. ‘Conspiracy?’ he said. ‘I’m up to my neck in it. Why?’

  Gantry said: ‘The cloak-and-dagger business is all mine, however. Dicky’s a puppet.’

  ‘Aren’t we all!’ Marchant said. ‘I need another drink. So, I should suppose, do you.’

  Richard had brought them. ‘Anelida,’ he asked, ‘what have they been cooking?’

  For the third time, Anelida listened to her own incredible and immediate future.

  ‘I’ve turned bossy, Richard,’ Gantry said. ‘I’ve gone ahead on my own. This child’s going to take a running jump at reading your wench in Heaven. Monty’s going to have a look at the play and see her Eliza. I tell him he’ll be pleased. Too bad if you think she can’t make it.’ He looked it Anelida and a very pleasant smile broke over his face. He dipped the brim of her hat with a thumb and forefinger. ‘Nice hat,’ he said.

  Richard’s hand closed painfully about her arm. ‘Timmy!’ he shouted. �
�You’re a splendid fellow! Timmy!’

  ‘The author, at least,’ Marchant said dryly, ‘would appear to be pleased.’

  ‘In that case,’ Gantry proposed, ‘let’s drink to the unknown quantity. To your bright eyes, Miss Potential.’

  ‘I may as well go down gracefully,’ Marchant said. ‘To your conspiracy, Timmy. In the person of Anelida Lee.’

  They had raised their glasses to Anelida when a voice behind them said: ‘I don’t enjoy conspiracies in my own house, Monty, and I’m afraid I’m not mad about what I’ve heard of this one. Do let me in on it, won’t you?’

  It was Miss Bellamy.

  II

  Miss Bellamy had not arrived in the conservatory unaccompanied. She had Colonel Warrender in attendance upon her. They had been followed by Charles Templeton, Pinky Cavendish and Bertie Saracen. These three had paused by Gracefield to replenish their glasses and then moved from the dining-room into the conservatory, leaving the door open. Gracefield, continuing his round, was about to follow them. The conglomeration of voices in the rooms behind had mounted to its extremity, but above it, high-pitched, edged with emotion, a single voice rang out: Mary Bellamy’s. There, in the conservatory she was, for all to see. She faced Anelida and leant slightly towards her.

  ‘No, no, no, my dear. That, really, is not quite good enough.’

  A sudden lull, comparable to that which follows the lowering of houselights in a crowded theatre, was broken by the more distant babble in the farther room, and by the inconsequent, hitherto inaudible excursions of the musicians. Heads were turned towards the conservatory. Warrender came to the door. Gracefield found himself moved to one side: Octavius was there, face to face with Warrender. Gantry’s voice said:

  ‘Mary; this won’t do.’

  ‘I think,’ Octavius said, ‘if I may, I would like to go to my niece.’

  ‘Not yet,’ Warrender said. ‘Do you mind? ‘ He shut the door and cut off the voices in the conservatory.

  For a moment the picture beyond the glass walls was held. Mary Bellamy’s lips worked. Richard faced her and was speaking. So were Charles and Gantry. It was like a scene from a silent film. Then, with a concerted movement, the figures of Gantry, Charles, Richard and Warrender, their backs to their audience, hid Miss Bellamy and Anelida.

  ‘Ah, there you are, Occy!’ a jovial, not quite sober voice exclaimed. ‘I was going to ask you, old boy. D’you remember – ?’

  It was Octavius’s old acquaintance, Dr Harkness, now rather tight. As if he had given a signal, everybody began to talk again very loudly indeed. Charles broke from the group and came through the glass door, shutting it quickly behind him. He put his hand on Octavius’s arm.

  ‘It’s all right, Browne, I assure you,’ he said. ‘It’s nothing. Dicky is taking care of her. Believe me, it’s all right.’ He turned to Gracefield. ‘Tell them to get on with it,’ he said. ‘At once.’

  Gracefield gave his butler’s inclination and moved away.

  Octavius said: ‘But all the same, I would prefer to join Anelida.’

  Charles looked at him. ‘How would you have liked,’ he said, ‘to have spent the greater part of your life among aliens?’

  Octavius blinked. ‘My dear Templeton,’ he said, ‘I don’t know. But if you’ll forgive me I find myself in precisely that situation at the moment and I should still like to go to my niece.’

  ‘Here she is, now.’

  The door had opened again and Anelida had come through with Richard. They were both very white. Again a single voice was heard. Miss Bellamy’s. ‘Do you suppose for one moment that I’m taken in?‘ And again Warrender shut the door.

  ‘Well, Nelly, darling,’ Octavius said. ‘I promised to remind you that we must leave early. Are you ready?’

  ‘Quite ready,’ Anelida said. She turned to Charles Templeton and offered him her hand. ‘I’m so sorry,’ she said. ‘We’ll slip out under our own steam.’

  ‘I’m coming,’ Richard announced grimly.

  ‘So there’s nothing,’ Charles said, ‘to be done?’

  ‘I’m afraid we must go,’ Octavius said.

  ‘We’re running late as it is,’ Anelida agreed. Her voice, to her own astonishment, was steady. ‘Goodbye,’ she said, and to Richard: ‘No, don’t come.’

  ‘I am coming.’

  Octavius put his hand on her shoulder and turned her towards the end of the room.

  As he did so a cascade of notes sounded from a tubular gong. The roar of voices again died down, the musicians stood up and began to play that inevitable, that supremely silly air.

  ‘Happy birthday to you,

  ‘Happy birthday to you …’

  The crowd in the far room surged discreetly through into the dining-room, completely blocking the exit. Richard muttered: ‘This way. Quick,’ and propelled them towards a door into the hall. Before they could reach it, it opened to admit a procession: the maids, Gracefield with magnums of champagne, Florence, Cooky, in a white hat and carrying an enormously ornate birthday cake, and Old Ninn. They walked to the central table and moved ceremoniously to their appointed places. The cake was set down. Led by Dr Harkness the assembly broke into applause.

  ‘Now,’ Richard said.

  And at last they were out of the room and in the hall. Anelida was conscious for the first time of her own heartbeat. It thudded in her throat and ears. Her mouth was dry and she trembled.

  Octavius, puzzled and disturbed, touched her arm. ‘Nelly, my love,’ he said, ‘shall we go?’

  ‘Yes,’ Anelida said, and turned to Richard. ‘Don’t come any farther. Goodbye.’

  ‘I’m coming with you. I’ve got to.’

  ‘Please not.’

  He held her by the wrist. ‘I don’t insult you with apologies, Anelida, but I do beg you to be generous and let me talk to you.’

  ‘Not now. Please, Richard, not now.’

  ‘Now. You’re cold and you’re trembling. Anelida!’ He looked into her face and his own darkened. ‘Never again shall she speak to you like that. Do you hear me, Anelida? Never again.’ She drew away from him.

  The door opened. Pinky and Bertie came through. Pinky made a dramatic pounce at Anelida and laid her hand on her arm. ‘Darling!’ she cried incoherently. ‘Forget it! Nothing! God, what a scene!‘ She turned distractedly to the stairs, found herself cut off by the cinema unit and doubled back into the drawing-room. The camera men began to move their equipment across the hall.

  ‘Too much!’ Bertie said. ‘No! Too much.’ He disappeared in the direction of the men’s cloakroom.

  Timon Gantry came out, ‘Dicky,’ he said, ‘push off. I want a word with this girl. You won’t do any good while you’re in this frame of mind. Off!’

  He took Anelida by the shoulders. ‘Listen to me,’ he said. ‘You will rise above. You will not let this make the smallest difference. Go home, now, and sort yourself out. I shall judge you by this and I shall see you on Thursday. Understood?’ He gave her a firm little shake and stood back.

  Warrender appeared, shutting the door behind him. He glared wretchedly at Anelida and barked: ‘Anything I can do – realize how distressed.… Isn’t it?’

  Octavius said: ‘Very kind: I don’t think, however …’

  Richard announced loudly: ‘I’ll never forgive her for this. Never.’

  Anelida thought: ‘If I don’t go now I’ll break down.’ She heard her own voice: ‘Don’t give it another thought. Come along, Unk.’

  She turned and walked out of the house into the familiar square, and Octavius followed her.

  ‘Richard,’ Warrender said, ‘I must have a word with you, boy. Come in here.’

  ‘No,’ Richard said and he, too, went out into the square.

  Gantry stood for a moment looking after him.

  ‘I find myself,’ he observed, ‘unable, any longer, to tolerate Mary Bellamy.’

  A ripple of applause broke out in the dining-room. Miss Bellamy was about to cut her birthday cake.

&nbs
p; III

  Miss Bellamy was a conscientious, able and experienced actress. Her public appearances were the result of hard work as well as considerable talent and, if one principle above all others could be said to govern them, it was that which is roughly indicated in the familiar slogan ‘The show must go on.’ It was axiomatic with Miss Bellamy that whatever disrupting influences might attend her, even up to the moment when her hand was on the offstage door knob, they would have no effect whatsoever upon her performance.

  They had none on the evening of her fiftieth birthday. She remained true to type.

  When the procession with the cake appeared in the dining-room beyond the glass wall of the conservatory, she turned upon the persons with whom she had been doing battle and uttered the single and strictly professional order: ‘Clear!’

  They had done so. Pinky, Bertie, Warrender and Gantry had all left her. Charles had already gone. Only Marchant remained, according, as it were, to the script. It had been arranged that he escort Miss Bellamy and make the birthday speech. They stood together in the conservatory, watching. Gracefield opened the champagne. There was a great deal of laughter and discreet skirmishing among the guests. Glasses were distributed and filled. Gracefield and the maids returned to their appointed places. Everybody looked towards the conservatory.

  ‘This,’ Marchant said, ‘is it. You’d better bury the temperament, sweetie, for the time being.’ He opened the door, adding blandly as he did so: ‘Bitch into them, dear.’

  ‘The hell I will,’ said Miss Bellamy. She shot one malevolent glance at him, stepped back, collected herself, parted her lips in their triangular smile and made her entrance.

  The audience, naturally, applauded.

  Marchant, who had his own line in smiles, fingered his bowtie and then raised a deprecating hand.

  ‘Mary, darling,’ he said, pitching his voice, ‘and everybody! Please!’

  A Press photographer’s lamp flashed.

  Marchant’s speech was short, graceful, bland and for the most part, highly appreciated. He made the point, an acceptable one to his audience, that nobody really understood the people of their wonderful old profession but they themselves. The ancient classification of ‘rogues and vagabonds’ was ironically recapitulated. The warmth, the dedication, the loyalties were reviewed and a brief but moving reference was made to ‘our wonderful Mary’s happy association with, he would not say Marchant and Company, but would use a more familiar and he hoped affectionate phrase – “The Management.” ’ He ended by asking them all to raise their glasses and drink ‘to Mary.’